Friday 31 January 2014

Author Interview: Melissa Bailey


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Melissa Bailey is the author of The Medici Mirror, exploring themes of death, vulnerability and love. She agreed to answer a few questions for HerBookList. Medici Mirror can be purchased on Amazon




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Can you tell us a bit about The Medici Mirror and where did the idea for the book come from?

The Medici Mirror is part ghost story, part murder mystery, part love story. The spark of the idea for the book came from reading A Wild Sheep Chase by one of my favourite authors, Haruki Murakami. In that novel, the male protagonist is holed up in a spooky old house, miles from anywhere, and comes across an old blackened mirror. It was a really haunting scene and gave me the idea for a story involving a darkened mirror, playing on associations with the magical and mysterious. Then, as I began to explore the history of mirrors, I kept coming across Catherine de Medici, an alleged plotter and poisoner and practitioner of the occult. From there my story really began to evolve.

The Medici Mirror moves between the sixteenth century court of Catherine and present day London, where Johnny, an architect, is renovating an old Victorian shoe factory. While he's mapping the building he discovers a long abandoned underground room containing an old darkened Venetian mirror - a room which begins to exert a powerful, malign influence upon both him and his new lover, Ophelia. What happened in that room? And can he unravel the mystery and save himself and Ophelia before it's too late?

Here’s a short film that’s a good introduction to the book if you want to take a look. http://youtu.be/MY2Ah3GDZB0.

How did you get into writing? How was your journey to getting published? 

I've been writing stories since I was a teenager and always wanted to write a novel. One day (about five years ago) I decided it was time to actually take the risk and do just that! So I went down to working part-time and got started. It's been a long and at times challenging road from first putting pen to paper on The Medici Mirror to getting it published. I think a crucial part of the process was getting an agent and, after I sent out my finished first draft, I was lucky enough to receive an offer of representation from London based, Luigi Bonomi. After we had worked together on improvements to the novel, he sent it out to publishers last year. I was delighted that Random House (Arrow) liked the book and on the back of it offered me a two book deal.

What is your average writing day like?

It depends. I still work part-time so I am often trying to squeeze in writing early in the morning or late at night. When I have a day devoted purely to writing I really try to make the most of it. I get up and head to my study early (I try and keep the dressing gown days to a minimum!) and then write until I become unproductive. I usually hit the wall after producing about 1000 words. At which point, I go out, get some fresh air, grab a coffee and perhaps a gossip with a friend. As writing’s such a solitary occupation, I try and punctuate it with some interaction. Then, when I get home, I might pick up where I left off and write a little more.

Who is your favourite character in the Medici Mirror and which character did you relate to the most?

I think my favourite character would have to be Catherine de Medici. She was a powerful political player in her day, strong, ruthless if she had to be, and a real survivor. She had a dark side, dabbling in magic and the occult but she was also in many respects an ordinary woman, subject to a woman’s very real emotions. She suffered jealousy, fear, longing and thwarted desire at the hands of her husband and his mistress. So she was a truly fascinating, complicated mix and an inspiration.

The character I probably relate to the most is Johnny. He’s an ordinary guy, suffering the same trials and tribulations we all face in our lives - the same disastrous relationships, the same doubts about intimacy, the same difficulties with our jobs, colleagues and friends. And, in the midst of all this, and mixing it all up somewhat, a whole series of very weird things start to happen to him! 

Also which character was most difficult to write?

Ophelia was probably the character I identified with the least and therefore was the most difficult to write. Unlike me, she has suffered a great deal of loss in her life and is enormously affected by it – it’s an intrinsic part of who she is and has given her a kind of steely fragility. So I talked to people who had suffered loss and read a lot of other writers’ work on the subject to try to add texture to her character and make her and her experiences as believable as possible.

Do you have any advice for aspiring authors?

Write as much as you can. The more you write the better it gets. Read lots – you get great ideas and learn a lot simply from seeing how other people write. But inspiration comes from all sorts of places – magazines, music, films, galleries, even simply going for a walk, so keep yourself open to everything. And most of all keep plugging away at it. Don’t get disillusioned – the writing road can be a long, hard, solitary one. But keep going. Don’t give up. 


Monday 27 January 2014

A Street Cat Named Bob

A Street Cat Named Bob
Synopsis


When James Bowen found an injured, ginger street cat curled up in the hallway of his sheltered accommodation, he had no idea just how much his life was about to change. James was living hand to mouth on the streets of London and the last thing he needed was a pet.

Yet James couldn't resist helping the strikingly intelligent tom cat, whom he quickly christened Bob. He slowly nursed Bob back to health and then sent the cat on his way, imagining he would never see him again. But Bob had other ideas.

Soon the two were inseparable and their diverse, comic and occasionally dangerous adventures would transform both their lives, slowly healing the scars of each other's troubled pasts

Sunday 26 January 2014

We Used to Be Kings

We Used to Be Kings
Synopsis

Six years ago Tom's brother died. The next day he came back.

It's Tom and Jack's 18th birthday, but it isn't a cause for celebration. For the past three years they've been in a care home for troubled children, a place where Dr Smith tries to silence the voice of Jack in Tom's head. But Tom doesn't want that. He's already lost his brother once, he's not going to lose him again.

And so, when they go in front of the review board, they will have to pretend Jack has gone so they won't be sent to the Young Men's Institution or they'll have to escape. Because one way or another they've got to get out of this place. They've got to be free, they've got to remember everything that happened to them, to their mum, and to their dad.They have to find their dad, whom they haven't seen since he left on a space mission to the moon when they were young.

We Used To Be Kings is the story of a young boy's descent into madness following the loss of everything he knows. Set in the 1970s, it is reminiscent of unusually hot summers, pictures of Russians in space and war on our doorstep. It's an audacious, at times hilarious story that is ultimately heartbreaking and unforgettable.

Monday 20 January 2014

Review: Men From The Boys

Men from the Boys
Synopsis

The final episode in the trilogy that began with the million-copy bestseller MAN AND BOY
Ten years on from MAN AND BOY, it is crunch time for Harry…


Life is good for Harry Silver. He has a beautiful wife, three wonderful children and a great job as producer of the cult radio show, A Clip Round the Ear. But Harry is about to turn forty and his ex-wife is back in town. Soon it could be time to kiss the good life goodbye…


When Harry's fifteen-year-old son Pat moves out to live with his mother, the hard times have only just begun. With his son gone, his job at risk and his wife unsettled by the reappearance of her own ex, their dream seems to be falling apart.
Into the chaos of Harry Silver's life stroll two old soldiers who fought alongside Harry's late father in The Battle of Monte Cassino in the spring of 1944. 


Will these two grumpy old men help Harry reclaim his son, his family and his life? And can they show Harry Silver what it really means to be a man?


Review
We envied families who had a good divorce. Families where the love was still intact, despite everything. Families where they remembered every birthday- on the actual day. Families that did not let entire years slip by, entire year just wasted. Families where the absent parent turned up at the weekend on time, stone-cold sober and eager to prove the wise old saying, “You don’t divorce your children


Life for Harry Silver is confounding, a mash of mundane living with an ex-wife, a second wife, step children and a son learning to stand on his own two feet.  He is unsure of where he stands when his son’s mother comes back to his life wanting a relationship, for so long, his son has been his and no one else. A single parent at heart, he’s bereft by the intrusion of the ex-wife.



Tony Parson proves that with charm and perfect writing skills, a book about life in its natural form could be as transcendent as a book intent of evoking emotions. I got the sense that he wasn't trying too hard, an effortless masterpiece with wonderful dialogue. 

Monday 6 January 2014

Review: Flavours of Love

By Mia Olorunfemi


Synopsis

'I'm looking for that perfect blend of flavours; the taste that used to be you. If I find it, I know you'll come back to me.'

It’s been 18 months since my husband was murdered and I’ve decided to finish writing The Flavours of Love, the cookbook he started before he died. Everyone thinks I’m coping so well without him – they have no idea what I’ve been hiding or what I do away from prying eyes. But now that my 14-year-old daughter has confessed something so devastating it could destroy our family all over again, and my husband’s killer has started to write to me claiming to be innocent, I know it’s only a matter of time before the truth about me and what I’ve done is revealed to the world.

My name is Saffron Mackleroy and this is my story.


Review

Unlike many of Dorothy Koomson's latest titles which portray families captured in an dramatic world of crime, suspicion and secrets with many voices telling and retelling the story, The Flavours of Love features only one main narrative voice. This is refreshing, enabling the reader to focuses sorely on how the chain of events effect the main character, whilst Koomsoon kindly leaves what the other characters are feeling or doing to the reader's imagination.

In this story, our protagonist, Saffron Mackleroy is a middle aged mother of two who loses her husband, Joel Mackleroy, to an unsolved murder 18 months before the book begins. Only herself and her daughter, Phoebe, know who the killer is, but it is too dangerous to inform the police of what they know. This is the main hook of the story, and it was definitely good enough to grab my interest.

In and amongst the main chain of events, as Saffron gives a present and retrospective narrative of her life, there are also other secrets and subplots which DK is always very good at creating and managing. Most of them work to compliment the main storyline, drawing out the strengths and weaknesses in Saffron's character as she works through her bereavement and her new life as a single mother. However, a couple of the other subplots do not add to the story significantly enough.

In the efforts not to give away any spoilers, I will only say that The Flavours of Love also includes some episodes of passion, love, and very tentative budding romance affecting both Saffron and her daughter. There are also other serious issues being tackled in this novel such as severe eating disorders, unexpected pregnancies, and adoption. However, as mentioned already not all of these additional plots add much to the main story... Which is, who is Joel's murderer? Why did she kill him? How is she managing to send passive aggressive and downright threatening letters to Saffron? And when will she be brought to JUSTICE?

What makes me happy about The Flavours of Love, is that all of these questions are answered by the end of the book in a clever and satisfying way that brings a degree of closure to the story, and there seems to be a feel good factor springing from a book which started with so much grief and desperate dwelling in the past.
I won’t say that this is my favourite from DK, however it is definitely an enjoyable read and the writing is intimate, engaging and easy to follow!